Sunday, April 14, 2013

where i've been



I'm just going to jump in as though we're mid-conversation.

 Last August, I got sick. And I finally got better, oh, a little less than a month ago. Truly better, up-and-around, drive-a-car, live-life-normally better just within the last couple of weeks, although I'm still in the process of rebuilding strength. 

We don't know what caused it, but it was brutal, and it morphed every month or so into a new form. There was the month where I was coughing, the month where I could barely breathe, the month where I was so weak I could scarcely talk or lift a utensil, the month where all my lymph nodes were swollen and I couldn't get comfortable in any position, the month where I was nauseated and couldn't eat, lost 15 pounds in three weeks, and eventually couldn't even get fluids in. And then I was in the hospital and then I got better. 

I'm shortcutting this extremely because I don't really want to describe it much more, not right now. It's done. I survived it. And it was so significant, so gigantic, and so recent that I don't have a handle on it yet. I'll be unpacking it for a long time to come. There was no way for me to come here and pick up blogging again, though, without saying it. If you've been whisked off your normal planet, dumped on some hell world for a few months and then returned home without explanation, you mention it.  

What a superb time to be reborn, though, spring. I'm exhausted, existentially, but I'm also drunk on physical existence. Luscious world! Drunk on my family, my children (the boys! withheld from me for so long! they're not getting described in parentheses, forget it), drunk on the outdoors. The sky! After months of ceiling, the sky is dizzying. Today, the sky was showing off in one of my favorite ways. A mixed-up sky, not quite overcast, with massive clouds, some dark and heavy, some tall and white and stacked up like cotton castles, with pocket-y vistas of pure blue, like advertisements for some far-off vacation destination. A huge, busy sky.  

I feel a little like a post-tornado Dorothy, dropped astonished into this technicolor world. Except Dorothy didn't want to stay, and I do. And I'm not the same as I was before, I know that much. The results aren't all in yet, but I've been shoved into my body and shoved onto this planet in a way I never was before. I want to stick my fists into the soil, plant things, sleep on the grass. Whatever ideas I had about God, the divine, whatever you want to call it, they've abandoned my brain. No more abstractions. I don't want them. I'm not interested. I just want this, and this, and this. I don't want to believe anything. If there's anything I need to know, it can meet me here.

Thursday, January 24, 2013

j. crew emergency teams and procedures



As you will see, Team/Color Names have been updated to reflect current trends. However, the actual colors have not changed, so please refer to the swatch you were given at Orientation to find your team. In case of emergency, Team Leaders will put on a lanyard with the Team Color Swatch, so that you can find your leader and move smoothly into action.

Team Aubergine
Aubergine is in charge of First Aid/CPR.  Remember to treat J.Crew cardholders first, in order of accumulated Rewards points.  If the customer doesn’t have his/her Rewards card, you can look it up in the computer. If the computer is down (or destroyed), then treat according to severity of injury. 

Team Dusky Eggplant
Dusky Egglant will shut off the gas main, if necessary. If the gas main doesn’t require shut-off, Dusky Eggplant will add customers to the mailing list.

Team Roasted Eggplant
Roasted Eggplant will monitor and comfort children that have been separated from their parents.

Team Grape
If the store collapses, Grape is in charge of beating out morse code in the wreckage to alert emergency teams to the number and location of survivors.

Team Old Grape
Old Grape replaces any greeters who are on Team Aubergine that are actively involved in the distribution of first aid.

Team Cabernet Grape
Cabernet Grape distributes oxygen masks, if necessary. 

Team Prune
Prune determines whether oxygen masks are necessary.

Team Winter Plum
Winter Plum communicates with/guides our deaf customers to safety.

Team Blackberry
Blackberry is a floating group that provides verbal encouragement to struggling teams.

Team Blackest Plum
Blackest Plum ensures our staff retains their professional look. Duties include neatening hair, removing lint/dust/bloodstains (club soda is in fridge in staff room), “zhuzhing” sleeves.

Team Dark Violet 
Monitors and keeps ample supply of club soda in staff room. Dark Violet should know the location of several area supermarkets/mini-marts, in case supply needs to be replaced mid-crisis and the closest supermarkets are collapsed. Starbucks also has some sort of bubbly water for their Italian sodas. There are two Starbucks in the mall, but their bubbly water is pricey, so avoid if possible.

Team Smoked Violet
Smoked Violet should be able to look at the emergency food supplies in the staff room and come up with 10-12 appetizing recipes for whatever’s on hand. It’s recommended that Smoked Violet spend a couple of minutes of every break just looking at the supplies and mentally combining flavor profiles.  Don’t be afraid of unorthodox pairings. Let the muse run free!

Team Cool Smoked Violet
Cool Smoked Violet will function as sous-chef to Smoked Violet.

Team Joni Mitchell Plum
If devastation is severe, Joni Mitchell Plum can automatically reduce all of the rhinestone hair accessories (ponytail holders, headbands) to clearance, so our inventory will reflect the somber mood of the times as quickly as possible.  

I originally wrote this piece for the online humor journal "Mattress Police", but that baby's gone. So it can live here now.

Friday, December 14, 2012

after newtown

First the shock. Then the alternating waves of rage and grief. Then the grief rises and rises and rises, shaking and howling, until it breaks open into something else. It becomes something calm and immovable. It becomes resolve. It becomes something more enduring than rage and grief. It becomes resolve. There are words to say, everyone is saying them, and they're correct, and ferocious. Gun control, non-negotiable. But that is only the smallest corner of the resolve I'm talking about. Call, write, demand, yes. But you're not done. You're not done there. You're not even close. We are not separate from what happened. It did not happen "over there" to "someone else". The pain that lives in each of us unresolved is all of our pain. You have to find your pain, you have to examine it, you have to loosen it, and you will have to find a way to set it free. You can't wait. I'm speaking to myself as well. There is no more waiting to wake up. There is no more waiting. Find what is broken in you and do not stop until you have become whole. I don't know how long it will take, and it doesn't matter. It doesn't matter how daunting it is. And you can't start tomorrow, because there is no such thing. Today. Today you resolve. It's not out there. It's not someone else. It's not political. We need laws, yes. Yes. Demand them, get them. And that is the tip, the very tippest tip of the iceberg. We're not done there, we're not done. Hug your children, cry, call, demand. But then start your real work. Come alive. Wake up. Set yourself free from all the accumulated poison in your system from being alive in this confused world.

From the NY Times, referring to the possibly bogus but useful set of words attributed to Gandhi, "Be the change you wish to see in the world":

The closest verifiable remark we have from Gandhi is this: “If we could change ourselves, the tendencies in the world would also change. As a man changes his own nature, so does the attitude of the world change towards him. ... We need not wait to see what others do.”

Here, Gandhi is telling us that personal and social transformation go hand in hand, but there is no suggestion in his words that personal transformation is enough. In fact, for Gandhi, the struggle to bring about a better world involved not only stringent self-denial and rigorous adherence to the philosophy of nonviolence; it also involved a steady awareness that one person, alone, can’t change anything, an awareness that unjust authority can be overturned only by great numbers of people working together with discipline and persistence.

I remember one of my old acting teachers, Robin Lynn Smith, talking about  the inside-out versus outside-in methods of acting -- interior life first, and then exterior expression/manifestation, or vice versa -- and she said, "It doesn't matter which one you use as long you make the whole trip."

And that's what I'm saying. Make the whole trip. Demand change outside, band together, and also demand change within. Don't let your grief and anger flare up and die down. Follow them all the way until you quietly know that this world is yours, and nothing short of our full, balls-out commitment to waking up will help.
The assignment isn't all grim destruction, either, although you'll have to suck some (a lot) of that up. Yes, you have to let go of old illusions, fears, pain, and concepts. There's a bright side to this very serious work that you, you reading this right now, you can't and mustn't avoid. You have to/get to/have to learn to understand what joy is, where it comes from, and how to distinguish it from mere pleasure. And you have to learn how to find it and/or generate it. You have to learn how to generate it even if there's no reason for its presence. And you have to generate more and more and more and more of it, and peel off all the needless suffering -- which is most of the suffering. Peel off the extraneous mental suffering. There's enough to work with without the suffering we generate ourselves. We have to stop generating our own. And then get familiar with the feeling of genuine joy and freedom, and cultivate it ruthlessly.

I see so much "we're helpless, it's hopeless" and it makes me want to grab every last person by the shoulders and shake them furiously until their heads fall off. You are NOT helpless. It is NOT hopeless. Stop repeating that toxic, soul-killing, planet-harming lie. We're connected to each other. It's not a metaphor. What takes place within one of us affects all of us. If you genuinely don't like feeling helpless, then rejoice. You're not. Get to work.

Tuesday, May 22, 2012

can an old blog learn new tricks?

Dear Gallivanting Monkey,

It's nearly seven years that you and I have been together. I don't think this is a breakup letter - it's more a State of the Union address, or couples therapy (except only I can talk - sorry!) - but you and I both know that things haven't been the same. So here we are. You're important to me, and I want to see if we can be saved. But I think it's important that all options are on the table, including destruction. We have to at least face down the possibility.

I want to offer you a glass of wine or something to ease your nerves, but that's the kind of thing you'd do, by which I mean that's in line with your persona. You've taken on a persona, even though I think it's dangerous for me to try and describe it. A little too bright in places, wide open and trusting, emotional. Very conscious of the impression you were making. Funny enough sometimes that you became self-conscious about saying anything again, because you didn't want to let people down by reverting back to something unfunny or dull or sentimental or sad. Always conscious of what might let people down, or turn them off. Too tethered to whatever you imagined your audience's expectations were. You've always been truthful, but in a carefully proscribed way that left room for lies of omission. There were topics that became appropriate for you, and topics that remained forbidden, and that hardened into this too-narrow persona, which is something like a lie.

The one thing that is good about you/us is that we've always been a little all-over-the-place. That's going to help us now, I think. Though we've edited parts of ourselves out, we haven't always demanded one tone. We never decided that we were a humor blog, or a mommy blog, or any kind of topical blog. We gave ourselves some room to move with "personal blog". Blogs like this don't tend to take over the world, especially when their authors can't be bothered to try and take over the world, particularly since they feel like encyclopedia salesmen the minute they think about crafting their content to take over the world.

I did almost destroy you, though. (I almost destroyed my memoir, too, but then I decided it was okay if everything I've written so far is nothing more than a bunch of styrofoam packing peanuts for a different book.) The idea seemed so liberating. We've had fun at The Gallivanting Monkey, but what does it matter? Nobody needs it -- let's kill it! Delete blog. I have to tell you, it gives me a pleasant kind of vertigo to contemplate it. I know there are a few people who still read this thing whenever I climb out of my coffin to scrawl something, but they're not legion. And then if I start a new blog, I can do whatever I want with it. Nobody would know and love it, which would be sad, but nobody would know and love it and want it to stay the same, which would be freeing.

This is all because I'm changing, blog. For the last few years, and especially in the last couple of years, I've been changing at an accelerated pace. The work I'm doing in the world is different, and getting different-er by the minute. My old ways of relating to people, a lot of them fear-based, are dropping away. I don't want to feel obligated to wear an old face just so I'll look familiar to the people around me. My old face kind of makes me sad. A people-pleasing, non-boat-rocking, self-effacing face. 

But then I think about what my writing mentors Jack and Bob say to their compatriots. Don't throw yourself away. The thing you wrote took you more than the time it took to write it. It took your whole life, the living of it, that which provided you with the words in the first place.

I still don't know how to post now. But at least I've explained why I'm so quiet. And maybe I'll have the nerve to come on here and open up some of the forbidden topics. I think that maybe ought to be the only way I come on here. But let's not create pressure like that. Now that I've got my subtext up top, maybe we can try some new things, and maybe I can still do some of the old things, and maybe it'll feel okay.

Love,
Tina



Monday, February 27, 2012

ye olde 500th annualle oscarre dresstravaganza commentarye and reviewe

I've translated this from the original Chaucer, who as everyone knows was a total pop culture Nostradamus. Oscarre Teuthousande and Tweylfe!

Let's beginne at the beginning, which was 2:00 PST, as I waited like a seagull to pounce on the wandering french fries of the red carpet. Nobody was there yet to discuss except Giuliana Rancic and Kelly Osbourne, but a seagull will eat whatever, especially when it only ate like one little bacon and gouda breakfast sandwich, and that was four hours ago. That had been four hours ago then. When we began. It's twelve hours ago now. I think it's important to start with facts, for credibility. Now all my opinions will be your opinions because I've forcibly won your trust.



Giuliana Rancic, when I first beheld you, you were wearing some kind of heavily decorated matching housecoat over this, but I can't find any visual record of it. Are you trying to gaslight me? I think that's wrong. I liked your weird, elegant, skinny housecoat. You looked like Jane Jetson ate Mildred Pierce. But look at you here, in your "real outfit". I wish I could stay mad at you for psyching me out but I can't. You look like a very pretty cockatoo that got waxed within an inch of her life. Hurray!



Kelly Osbourne, you look glum. Lavender hair must be heavier than regular hair, especially when it's all forced to one side, which is a look I support when it's done well, for example elsewhere, and elsewho. Your neck hurts, maybe. But it must have been comforting to have Giuliana Rancic nearby, since the two of you were like a futuristic Hedda Hopper and Louella Parsons, rocking it new old-lady style, until she took off that housecoat that was maybe never there. Oh, let's just get down to it. Why did you dye your hair gray and then purple? Are you feeling okay?



Missy Pyle, I've included you here at all because you're wearing an eco-friendly dress made out of fabric woven by cruelty-free silkworms who then turned on you by making your bodice so stiff and tight that it appeared to be trying to engrave your bosom, which is kind of cruel, and brings us to what a maddeningly off phrase "cruelty-free" is. Or maybe silkworms in general are TOTAL FUCKING SOCIOPATHS. Anyway, my own boobs felt so squirmy watching it all that they ran down the street and joined a commune. (There's a commune down the street.?) Let us also note that you are the first on the carpet to sport the evening's saddest trend, the Drooping, Dispirited Arm Strap.




Milla Jovovich, or Mee-la YO-vo-veetch, which everybody was saying tonight, which is how I suppose you pronounce your name, although I will pronounce it MILL-a Jo-VO-vitch forever because I'm sorry to inform you that it's too late for me to do anything about it...you looked so pretty. EXCEPT. Look at your expression. You wore that a lot. And it says to me, "Can you losers believe how seriously I nailed my outfit this evening? And my makeup? And my hair? You. You there. I bet you a thousand dollars I'm on a best-dressed list tomorrow. You. Camera guy. Bet me. Bet me."




Jessica Chastain is very pretty and possibly also bulletproof.




Emma Stone calls to mind Nicole Kidman from a few years back, when she wore a long red column with a big bow at her neck like the Queen of Hearts. Nothing but love for this. And the color was so much better than it is in this photograph. A deep rose-fuschia-red. I wanted to eat it. And who wants to quarrel with Emma Stone? She's like pizza. You probably ate pizza tonight, that's how much you like pizza. Even if it's not your top favorite food, you're not going to say no to pizza. So you flop that big bow around, Emma Stone. Flippity flop.




Rose Byrne looks like Agent 99. [Lady robot voice: "Compliment complete."]



You know what, there are just different rules for Meryl Streep. So when I say I like this dress, it means that on the Meryl Streep Award Show Spectrum, which -- holy cats -- that's a broad thing....I mean, she could have shown up in chambray, or gingham, or terrycloth, or oilcloth, there's just no knowing. There is no knowing. I don't know how Meryl Streep views awards shows on the dress code spectrum. She just mustn't, is what. Maybe she's like, "Oh, an award show...so...dress like you would if you were having your five closest friends over for a dinner...which is actually a wedding! Or a graduation, or a brunch, or a trip to the museum. Or the symphony, but the symphony's outside in a park." So I like this dress because Meryl Streep seems to have made the connection between the Oscars and fanciness, and gold is fancy, everybody knows that, and I feel like that's such huge progress, and maybe that's why they gave her the award.



Hello, ballerina whose name nobody can recall. It is I, Natalie Portman. I stole your boyfrusband*, whatever he was, and now I look as good as I've ever looked in my polkadot swoofy thing. Feel vindicated by my boring jewelry and your ex's curious hairline, and now continue crying into your consommé.

*Benjamin Millepied. This is a funny last name for a ballet dancer, or ballerino, as male dancers love to be called. Benjamin Thousand-Foot. You have to be five hundred times more graceful when you have a thousand feet.



Let me tell you what happened to me when I saw Rooney Mara on the red carpet, and then heard Kelly Osbourne deconstruct her outfit. Here, let me quote Kelly Osbourne (<---something I will never say again):

"I love that she is so into structure and she keeps it simple because structure says so much, and you can really go wrong with adding a necklace or a bracelet or even the color of your lips, and because she keeps everything so simple, it makes the dress pop in just the most magnificent way."

I was nodding furiously and then rewinding my Tivo and scribbling this all down like Kelly Osbourne was Pema fucking Chödrön dropping some satori on my seventh chakra, I agreed so hard. Let's pause, though, to consider that you can go wrong by adding the color of your lips. Don't add that.

Some on the television were wondering aloud about the little awnings over Rooney Mara's breasts. Judging by her conversation with Ryan Seacrest, they were to deflect small talk.




Penelope Ann Miller had no such awnings, however, and Ryan Seacrest looked exhausted when they were done talking. Penelope Ann Miller has been representing hard for "The Artist". Did you watch the Independent Spirit Awards? She was practically the only person on hand to collect the awards that "The Artist" won, and she kept on giving different speeches for everybody instead of just taking the thing and discreetly slipping away. Whoops, it's me again! Penelope Ann Miller! Remember me from before? The 80s or 90s? Well, I'm back! I'm in "The Artist". Ryan, I designed my own dress with Badgley Mischka, and you know what? He really liked my ideas! It was supposed to be like The Twenties, you know, when "The Artist" is set, that I'm in, "The Artist", with that sort of glamour, but then he convinced me to go more modern with the headband. And so I did! ((curtsey)) I'm in "The Artist".

I think she looks okay, though, despite that modern Simpsons/Young Frankenstein hair pouf that all the kids are doing these days so we know we're in a new hair decade. It's not to look good, it's to look new. So, there we are. Newish. And I don't know how to feel about those tiny little headbands. Wait....I'm against them. Oh, Penelope. Penelope Ann. I hope you had lots of fun at those parties tonight. I hope you let everybody know which movie you were in.



The only reason I'm including Tina Fey here is that she passed a poofy hair bun baton to Jennifer Lopez on the red carpet. They were interviewed one after the other. Here, interviewer. We know you need one poofy-bunned person near you at all times. I will be with you until...



...here she is. So I'll go now. You're safe. Hey, Jennifer. Hey, Tina. (bun bump)

Jennifer Lopez. Can I stop a moment to say how much I enjoy in a not-totally-100% ironic way the song "Jenny from the Block"? I missed it back in the day when it came out, but I found it now. We're together. I play it in the car all the time. Loudly. I'M REAL I THOUGHT I TOLD YOU. IM REAL EVEN ON OPRAH. THAT'S JUST ME. "Relax, everybody! I'm awesome!" When a song makes me laugh and makes me car-dance at a stoplight, well. That's the bifecta.

You look weird but still almost good. Like somebody that Captain Kirk would have sex with from some not-too-kooky planet. That said, your sleeves, J-Lo. They look like they're wearing nude nylons in the cut-outs. You're very rich and famous and powerful, you said so yourself in the song, so I feel sure you could have avoided that. Or maybe somebody you trust from the block could have told you. Oh, well. Stars: they're just like us!



Octavia Spencer: I Look Just Fine.



Kristen Wiig: I Look Just Fine, Too, Only I Keep Wearing This Color To All The Awards Shows.

Now we come to a troubling little neighborhood. Oh, little group of performers coming up. I wish things were different. I'm not mad. Nobody made me mad this year, which a little bit makes me mad for the purposes of this post. Hilary Swank, I bitch about you, but I kind of need you. But this next group...I'm going to give you each ribbons, too. Yours will say "PARTICIPANT".



Melissa McCarthy, you couldn't have been more of a joy in Bridesmaids, and the fact that you based your character on Guy Fieri makes me want to write you into my will. But...neckline...and color....and sleeves...it's a little bit like Mrs. Roper if she were going to meet the queen. Your Golden Globes outfit was much better. Let's remember that:



Aw. That's more like it. You go in peace, genius.



Viola Davis, I am sorry to say that this hair color and style with this shade of dress gives me "sexy leprechaun" feelings, and I don't want to have those. Also, that ruffle thing at the bottom of the dress makes it look like you got scarred in a fight with another sexy leprechaun.



Bérénice Bejo, did you know that you were also in "The Artist" with Penelope Ann Miller? You were, it turns out. Who'd have known? I'm stalling. I'm going to say these things fast:

Yourhairlookslikeithurtsandthepatternonyourdressislikeamovietheatercarpet.

We pulled off the Band-Aid! All done. Have some wine.



This would look great if Shailene Woodley were Diane Lane. Also, no, you're not just as excited for your friends when they pass a chemistry exam as they are for you now that you've been nominated for an Oscar. C'mon, now.



Judy Greer was out jogging and then she was like OH NO! It's time to leave for the Oscars! Genie, turn my tracksuit into a dress!

((((POOOOF))))



Ryan Seacrest was all "What color is that dress, Ellie Kemper?" and she was like "I kind of don't know!" and he was like "Is it rust?" and she was like "I thought it could be rust! Maybe it's glittery rust!" and then Kelly Osbourne was like "Ugh, you amateurs, that's copper" and I was like YOU BONERS DON'T KNOW RUSSET WHEN YOU SEE IT.

[[drops mic, exits]]





















Glenn Close is what we're working with in the absence of Helen Mirren. She's Primo! to Helen Mirren's Giorgio, Enchanted April to Helen Mirren's Howard's End. I think she looks great. Age-appropriate and foxy. Her statement: I AM SEXIER THAN ALBERT NOBBS.



Bow down before Gwyneth, because when she nails it, it is shut.




Michelle Williams gets on my nerve. I only have one nerve, and she is on it. Ooh, me with my weird, unnameable color WELL I CALL IT ELECTRIC WATERMELON, MICHELLE and my insufferable little brooch on my hip and my demure ruffles and offbeat peplum waist. You know what? All you had to do was not wear that necklace and take that little shiny cricket off your waist and you would still be on part of my nerve, but I'd have enough of that nerve left untrod-upon to run errands or whatever. The way it is, I'm stuck here at my dining room table.



Kate Mara, whomever she may be, is sporting The Droopy Dog. That's the new name for that arm fabric trend. She looks a little guilty about it, too.



I had my eyes glued to the red carpet all night and Angelina Jolie thinks she can just sneak in without my noticing. Well, she could and she did. She stood this way, with her leg out, when she was presenting the awards for Best Screenplay. "This dress has a slit in it. It's for my leg. See my leg. Leg slit." You've got to let it go when you're standing still, lady. When you're walking or sitting, the leg comes out on its own and that's legit. This is just silly. You don't make a crazy gesture to emphasize the body part you're trying to highlight. Salma Hayek doesn't squeeze her arms together and bend forward when she presents an award. Jennifer Lopez didn't slap herself on the ass when she gave out Best Costumes. And Michelle Obama doesn't wave her arms around unless she's teaching us how to exercise.



I have things to say about Stacy Keibler in a second, but here's George Clooney's position, "The woman I'm sleeping with looks better naked than any of the rest of you do, so she never needs to dress well, and fuck you, and HA HA." This has always been his position. (Please to remember Sarah Larson.) So it doesn't matter that Stacy Keibler's hair perpetually gives off the vibe "I'm going to try out this new hairstyle" rather than "Here's my hair, looking good", and it doesn't matter that she has the Droopy Dog strap, or a golden Hurricane Katrina on her hip. She's a six-foot-tall, sexy, pointy ex-wrestler, and George Clooney Does Not Care. And he will not care with his next seventeen girlfriends, for whom it will always be exactly the same.


Jean Dujardin and his wife. I ate them.

Was I not supposed to? Were we saving them for something?

Sunday, February 26, 2012

that didn't happen

For all of you sneaky bastards who subscribe to an RSS feed and think that what you may have just seen was the actual Oscar Dress review post, forget it. You accidentally caught the post in its underwear. Please forget what you think you may have seen.



Now I've hypnotized you to forget what? Forget what?

Also, now you've quit smoking.

Friday, January 20, 2012

paper anniversary

It’s one year now since I decided to write a book. (It’s also my seventh wedding anniversary tomorrow, but there’s no need to do a State of the Union there. We’re slicing through the years with good momentum.)

How’m I doing? Well...ho. I’m still in it. I’m trudging forward. My momentum isn’t anything like steady, but words are accruing. The snowfall’s erratic, but what’s falling is sticking. That doesn’t mean that all or any or most of these words I’ve written will appear in the final text. (Final text! What a hilariously far-off term. Feels funny to even use it.) It just means that my understanding of this book is slowly taking shape.

Snowfall is maybe the wrong metaphor. Pregnancy is better. Because the accretion I’m talking about isn’t static. The substance doesn’t remain the same as it increases. The life force in the thing is growing along with its size.

Oh, I like this pregnancy metaphor. Yes, ma’am! You know why?

First trimester. Oooosh. That’s where I am, easy, and I’m still pretty early in it. The morning sickness. The occasional disbelief that I’m growing a book. The thrill and revulsion of facing the material. The amoebic nature of the thing itself, how it doesn’t look anything like a book in the ultrasounds. It’s not cute yet. And it’s still vulnerable: vulnerable to doubt, to inertia (the cells need to keep dividing and multiplying at a rate conducive to life), to the toxic chemicals in straight-up fear.

And this thing is a memoir, which is wicked radioactive. It’s a family memoir, too, and a spiritual memoir. So that’s easy. I bet it’s tough enough to write a “My Year in Tuscany Learning to Make Pasta” memoir. This is all teeth and murk and neurosis and slipperiness and heat.

I’ve written 102 pages of material to date, single-spaced. 57,000 words and change. I’m nowhere near structure. (Oh, structure. Someday, it’s you and me. That’s the second trimester. The golden trimester, where material becomes a draft.) (I think.) I’m writing for understanding right now. I’m writing to find out what the hell I’m trying to say. I’m writing to unearth the spine of the story. I don’t even know if I’m doing that yet. I’m just vomiting up material until my stomach’s empty.

Not empty yet. Not even close. And I resist sitting down to write the way you resist emesis, because while it feels great to have it over with, it feels like hell when you admit it’s going to happen. (Once I’m actually writing, I’m fine. It’s the moment before when my stomach lurches.)

I daydream about structure, though. I do. I try on various futures with this book. We’ll frame it like this! Oh, that’s beautiful! I pretend that I understand the story I’m telling already and I woolgather, arranging this piece here and that piece there and it comes together so neatly. And I admire it for a while, and then I remember....oh. That’s fake. I can’t build that. None of those pieces really exist, and they may never exist in anything like those forms. Damn.

Stop trying to pull the fetus out and cuddle it. It’s not helpful.

I’ll tell you what I do have going for me, and that’s midwives. Midhusbands? Bob Ray and Jack Remick, that’s who. These guys host a writing group at a bakery here in Seattle every Tuesday and Friday, and they’ve done it for twenty years. You just show up and write, and if you’re lucky (and I’ve been lucky), Jack and Bob will give you feedback. Head this way. Think about this. Try this. Beware of that. They’ve each published many books, and taught writing for years. A friend of mine pointed me in their direction when she asked how my book was going and I gagged in her lap. (As it turned out, Jack had met my parents through mutual friends -- even had lunch at their house! the house where I grew up! -- and is familiar with some of the people and places that show up in the story. I tuck that kind of synchronicity into my pocket like a talisman.) These guys are wonderful. Funny and wise and experienced and incredibly generous. And they both genuinely seem to care about what I’m doing here.

Now I feel like I’m not going to have to give birth in a taxicab, you know? There are people standing by who know what they’re doing, and want to see that baby come out alive.

And so that’s my report. I know this has been a record absence, friends. Between parenting and wife-ing and starting in on a new line of work and stabbing away at this book, the old Monkey’s had to lay fallow a while. I want to promise that I’ll be back soon, but I’d rather promise to finish a book for you. But I think I can safely say I’ll be back before then, because that’s a long way off.

Thursday, October 27, 2011

captain phillips rides again

When Dave was a kindergartener in Australia, he fell in love with a little blonde girl in his class. Her name was Cathy Phillips, but that's immaterial, because she was that girl. She didn't need a name. Dave never spoke to her, but he told anyone who'd listen that he was going to marry her. Those long, blonde, swaying pigtails....there's nothing else to say.

In a jaunty -- if slightly wack -- romantic tribute, he rechristened her Captain Phillips, after the first governor of New South Wales. (After some googling, it looks like he should have actually called her Admiral Phillip, but let's not nitpick.) I hope she caught wind of it and made it legal. "Captain Phillips" is clearly a thousand times cooler than "Cathy Phillips", and it would have cemented her femme fatale status forever, like a female James Bond.

In any case, she's still alive and she's still five, only she's changed form, switched hemispheres and enrolled at Finn's school. She has a beautiful name, every bit as cool as Captain Phillips, but I'm not going to use it here. I'm going to protect her privacy. We'll just call her the Admiral, since the title's free. It's high time she was promoted, anyway.

The Admiral caught Finn's eye on the first day of school, when she showed up wearing a pretty white cotton dress. Remember, Finn's a sucker for a good sartorial move. And the Admiral is a star sailor to her bones. (A star sailor isn't just someone in a good outfit. A star sailor has to drip with innate style and coolness. And then top it off with a good outfit.) One day after school, Finn and the Admiral hung around the playground together and became fast friends. They're both half-day kindergarteners, two of the only three in the whole school, and so they bonded over being sprung at 12:30.

For a time, they were inseparable. (I should say they were voluntarily inseparable, but I'll get to that.) Finn's always been adamant about remaining half-day, but when the Admiral mentioned to Finn that she might be going full-day in November, suddenly the wind changed direction. He mentioned it idly, played it cool. "Mom, I think I might go full-day in November." No reason, Mom. Just feel like it. Oh, and maybe the Admiral is doing that.

Whenever I asked him who he'd sat with at lunch, it was the Admiral. Whenever I asked him who he liked best at school, it was the Admiral. He used the same fervent tone for her name that he'd used early on when he was talking about R.J. (for whom the flame has faded, although they were playing together today on their first field trip - ! - to a pumpkin patch).

Oh, but the course of true love never did run smooth. I picked Finn up one day and his mood was stormy. He didn't want to talk about it at first, but then he burst out, "Sometimes she says she doesn't want to sit next to me, but I know she really does want to sit next to me, so I sit next to her even if she doesn't want me to!" I hesitated a little and then said that there is this thing called personal space. "What's personal space?" he asked. I didn't have the heart to tell him that his bold moves were backfiring, so I told him to ask his dad. (Passing the buck is one of the best things about being married.)

Some days it's terrific with the Admiral. But the Admiral is capricious. She invited Finn to be a part of her club, but then revoked his membership the next day. He said that she was being mean. I advised him to locate some friendly people and play with them, then. After all, did he still want to play with her anyway if she was mean? He responded wearily, as though I were the biggest moron ever to walk the earth. "YES." And I suppose that was a dumb question, considering everything I've ever learned about being alive.

Finn and the Admiral are still close, though the Admiral still holds most of the cards. I say most of them, because Finn has plenty of mojo with the young ladies. The class played "The Farmer in the Dell" one day, and Finn told me he'd taken the Admiral for his wife. Apparently there were some other girls who'd wanted the job. There's a group who rush to hug Finn goodbye every day, and you can practically see the cartoon hearts take over their pupils. One little lass grabbed his hand once and gave it a kiss as he barreled past her. The thought bubble is clearly visible over his head. What the hell is happening? Meanwhile, rows of girls go down like dominoes. Dave and I have both witnessed it. It's frankly remarkable.

He had a tough one with the Admiral yesterday. There was something he didn't know about how something worked at school, and the Admiral said he was ridiculous. And then another girl said "YOU'RE sitting with your GIRLFRIEND", referring, of course, to the Admiral. But Finn held his own. He said that he didn't like that bit about a girlfriend, and he told the Admiral that he wasn't ridiculous. He hasn't been to school before, is all, and he's just getting started.

Sunday, October 09, 2011

yar

I had the alarming realization lately that I’m going to be spending nine months of every year driving to and from Finn’s (and, someday, Fred’s) elementary school until I'm 51 years old.

Holy fuck.

First of all, that means I’m going to be 51 someday. It’s nine years off, but it’s more true than it ever was that this is going to happen. It's more true because I can visualize half an hour of each of these ensuing days perfectly. I’m tethered to the brick facade and royal blue railings of Sacajawea, and they’re pulling me closer and closer to my death.

I’m having a difficult time remembering that I’m not actually 51 now. GOOD CHRIST, I’M 51! Oh, wait, no.

Note to the 51-and-over crowd who may be reading this: It’s not you, it’s mortality.

That’s the thing. If our lives are a horizontal timeline that reads in classic Western style from left to right, I feel tucked over to the right a little more than before. I remember feeling myself on the left-hand side of that timeline. I had forever to figure out what I was going to do or be. I could blossom in my own sweet time. I didn’t have to nail it down. The right hand side of the timeline felt positively wide-open and breezy. Horizonless, almost. The map just faded off.

But now I can feel a wall over to my right. I’m not about to bump into it or anything, but I’m aware of its presence, kinesthetically. My body knows its there.

And that brings me to my topic. The body. My body. The ol’ vessel. I’m going to sail in this thing to the grave, and I’m realizing that I’m at some sort of turning point. Here’s a Philip Barry mash-up, from that old beauty, The Philadelphia Story:

My, she was yar...It means easy to handle, quick to the helm, fast, right. Everything a boat should be, until she develops dry rot.

I’m dedicated to the whole notion of yar, inside and out. It’s something to shoot for, that fineness and agility in all the domains that matter to you. But for most of my life, I’ve been focusing on my mental or emotional or spiritual yar. The inner yars.

A few years ago, after I had Finn, I made my first serious run at physical yar. I’d joined a nearby gym to drop the last bits of baby weight. When you joined this gym, you got two free sessions with a personal trainer to get you going. I remember looping away on an elliptical, waiting for my trainer to nab me for my first session. And then somebody tapped me on the shoulder, and I turned around and there was Niles.

(Niles, wherever you are, I salute you. Move back to Seattle so you can train me some more.)

Niles was -- as it can never hurt a trainer to be -- ridiculously handsome. His chiseled features were the stuff of Roman coins, truly. And as we embarked on what would turn out to be a year of thrice-weekly workouts, it became clear that Niles was also a deeply good, decent, searching person. We talked about all sorts of things as he made me stronger, enjoyed a shared philosophical bent. He was just a good dude.

And also, he was really, really good-looking. I got 2.5 times stronger than I would have with another trainer, because when your trainer is that attractive, you put out at least 2.5 times the effort. I should really say that I got 9 or 10 times stronger than I would have in other circumstances. It's instinctual. It's why birds have bright feathers.

It was frankly hilarious, how much I was fronting during our workouts. You see, when I was growing up, my family was engaged in a constant competition to see who could be the biggest wilting lily. Whoever was the sickest or faintest or most exhausted won the day’s sympathy prize. But we were lavish with sympathy for anybody’s pitiful old complaint. One of us would collapse in the front door after, I don’t know, going out to buy a stapler, and give the traditional extravagant Kunz family announcement/groan, “I’m HOME,” and then proceed to lay out the tiny physical indignities of the last hour and a half that had done us in. We expected -- nay, felt entitled to -- and received! -- three sets of rapt and understanding ears for our litanies.

We were lame.

But you’d never know it from my sessions with Niles. I gave the mythical 110% every step of the way. Niles would have me down in a plank, and he’d have his little timer out, and I’d hold that goddamn plank until my muscles were all screaming “WHO THE FUCK ARE YOU?!” (Shh, muscles. Zip it. We’re somebody else right now.) And Niles would exclaim with real joy, “That’s great! That’s thirty seconds longer than you could do it before!” And I’d be giving off the vibe, pshaw, well, hey. That’s just me. I’m all heart. I never say die. I just don’t know how to do it another way.

Dave, of course, if he’s reading this, is snorting into his soup. I can’t escape my childhood completely. Every day, all day, I’m like “Oh, my finger” and “Ouch, my hip” and “I feel dizzy” and “The back of my neck is killing me” and “I have a little sore throat”. And the Rowleys are a different proposition altogether. Dave’s mom, Larraine, is the quintessential Rowley tough nut. She lives out her days in bona-fide screaming back agony from a botched surgery she underwent thirty-plus years ago. But she powers through it and does whatever she sets her mind to, and will never, never let on that she’s in pain unless she really can’t move any more. When you see some slightly pursed lips and she admits out loud that there’s a little pain, you can bet that anybody else alive would be screaming for an ambulance. So it’s safe to say that Dave is not impressed with my frequent bids for physical sympathy. Let’s say that he’s visibly unimpressed.

Me: “My finger!”
Dave: Blank look.
Me: Pregnant stare.
Dave: Eventual grudging nod. Not of acknowledgement. I-have-to-do-this-or-she-won’t-go-away. That nod.
Me (a vibe): That’s it?
Dave (a vibe): Oh, that’s it, all right.

Okay. Okay, but if I die of possible minor floating arthritis in the next few minutes, you’re going to feel like a real heel. Play “Little Wing” at my funeral, by the way.

Anyway. Working with Niles for that year -- up until I got pregnant and then miscarried and then got pregnant again with Fred -- transformed my body, for certain. I was as slender as I’d ever been, but this time I had muscles, and all kinds of physical verve and confidence. And I became one of his favorite clients, one of his real success stories. But, most happily, for the first time in my life I felt that my exterior matched the best of my interior.

When I was growing up and going through my young adult life, I always had this feeling that my forties were going to be a really excellent time for me. 40 was my target age. Things were going to start to get good. The right side of the timeline may have been amorphous and foggy, but I felt something glowing waiting for me right around that age range. I pictured myself like some sort of warrior elf queen, strong and bright and agile. Maybe carrying a spear of some kind. Wearing some kind of killer boots, invariably.

After I had Fred, all my work with Niles was lost. My fraught pregnancy had me tethered to bedrest, and I kissed all of those core muscles -- as you do -- goodbye. And then last year I had surgery, and it’s been a long road to recovery from there. Eight weeks stuck in bed watching Netflix and eating vanilla wafer and Scharffen Berger sandwiches is not a recipe for vitality. It’s a recipe for a super fat ass, is what it’s a recipe for.

But forces are at work now, finally, pulling me back towards yar. One, there’s that wall over to my right that keeps whispering to me, “Now or never.” This is when I’m forging the body that’s going to contain me for the rest of the ride. I can extend the ride, I can make it more fun, I can give myself more energy, I can give myself a prettier vessel. I can make an elf queen suit.

And two, two is mysterious. Let me give a foundation for this. Eight years ago, I met Dave on a yoga retreat on Maui, and within five days we were practically engaged. One night at dinner, there under the stars with Dave and all our fellow students, I couldn’t eat a thing. I couldn’t even speak. I felt like my body was being filled with light, like my being at the deepest level was being refined by some force I felt but couldn’t comprehend. I felt something humming in me, transforming me, right there in front of my untouched plate. Like something wanted a better life for me, and was cooking me right there in order for me to receive it.

In a much quieter and less dramatic way, I feel like the same thing is happening right now. My diet has spontaneously changed. My sweet tooth, a powerful thing, has all but dissolved. My attraction to crappy food of every stripe has vamoosed. The leftover Fred/vanilla wafer weight is coming off. I’ve begun making these smoothies for myself, gulping down mountains of greens. I can’t recommend this enough, my friends. I’m even going to give you the recipe for this insanely good thing. It feels like the most magical elixir. A cup and a half of greens, packed tight. A banana. A kiwi. Some mango. 2 tablespoons of protein powder. (The hemp sort is really good, not chalky at all.) 2 tablespoons of coconut butter. 2 cups of water. Blend away. Drink it on an empty stomach, otherwise it won’t feel good. (Do believe me about that.) On the one hand, it's a smoothie. It's just a smoothie. But on the other hand, it's a message to my body, a message to my life. I don't even want to articulate it and cheapen it. It's precious, whatever it is.

I really do think there’s some kind of quickening going on. I feel it personally, and I’m seeing it everywhere. Something’s turning up the heat under us all, I think, cooking us a little faster. And I’m feeling those two forces so keenly. The increasing nearness of death and some insistent life force in reply. There’s a call, and I can’t resist trying to answer it, and now I’m trying to answer it with everything I have, even this old shell.

Thursday, September 15, 2011

the star sailors of sacajawea

Finn likes to relax with the latest issue of Vogue when I'm tucking him in bed at night. We flip through, working at a quick pace. We know what we don't have to waste time on, and we know just where we like to linger. His taste is sure, and when he sees a spread that pleases it, he shouts "STAR SAILOR!", pointing extravagantly at the page -- sometimes so extravagantly that I accidentally get knocked in the face.

Up with bright color and flowing, feminine, ruffly shapes. Up with glossy red lipstick, up with perfume samples. Up with Drew Barrymore and her lush features, her pearlescent, peacock-toned Cover Girl eye shadow.

Down with/boo to/spit on neutrals and all black-and-white photography. Down with boring, business-y shapes. Down with severe tailoring. Down with plain handbags. Down with minimalism. Execute minimalism, gangland-style. Toss the gun and stroll out into the street, cape fluttering behind you, never looking back.

Finn is the love child of Martha Stewart and Ziggy Stardust, the love child of Lord Byron and Kramer. He's the Black Stallion, he's a hothouse orchid. Brains coming out of his ears, and an almost wasteful amount of physical beauty. And I don't want to talk about the sensitivity, lest I disturb it from all the way over here in the other room. He's a one-off, I'm trying to tell you. I rarely talk about him here because he taxes my descriptive powers too much. You can see how much I'm revving the engine already. I promise you that these are the most accurate, least over-the-top descriptions available to me.

All children are totally special. I know it. I know. I really do. No "but" here.

But* I'm just watching my now-very-heavily-described, indescribable firstborn go out and interact for the first time in a big way with a world that is not exactly tailored for his...do I call it a type?

*because it's down here

Anyway.

Kindergarten!

Today was day seven, and it was the first day that Finn went into class without crying and clinging to us. To Dave, I should say. After the first three days, it became abundantly clear that I shouldn't be anywhere near his classroom entry. I was already taking a quarter of a Xanax in the morning to try not to cry when he cried, and that dose was starting to look too small. (You're probably like, right, because: a quarter of a Xanax. I'm small, see? And, uh...sensitive.)

Finn would be fine first thing in the morning. No problem getting ready for school. We have a mixed CD in the car that's all Finn's favorite songs, and we'd listen to it on the way there. No problem during "Chicken Grabber". Looking good through "Staying Alive", especially while Fred bobs his head to the music. ("Staying Alive" is Fred's signature tune, has been from the first minute he heard it and began rocking out, and holy shit, does it suit him. Fred, my little man, you're a story for another day.) Not bad even through Booker T. Jones, as we're pulling up to the school. Things would start wobbling up on the playground as we waited for the school bell -- though he'd be maintaining -- and then as soon as that SUPER FUCKING LOUD STARTLING AIR RAID SIREN* of a bell rang, he'd shoot into misery.

*none of this aided by the fact that whenever the bell rings, all the children instantly scream.

When the bell blasts, all the kids line up outside their classroom and get ready for their teachers to throw open the doors for another day of totally! fun! learning! -- and for the other kids, that's exactly what it seems like. They're grinning and bobbing around and ignoring their moms and dads because they have all been to preschool. But, as I said in an earlier post, Finn only went to preschool for three days. (Topic for another day, if ever. To sum up: Hey, moms and dads! Send your kids to preschool!)

Bell rings. Finn crumples fast and hard. He's crying, grabbing on to me. I'm patting his head and rubbing his back and talking brightly to him while invisible gangs of thugs kick the shit out of my heart. I gesture for Dave to take over, since Mama is a more primal pull -- I've got that womb, see? -- than Pops. I stand a few feet away with Fred, blowing kisses and making little thumbs-up and tough-fist "You can do it!" gestures as the line moves forward -- forcibly, for Finn. Dave is moving him toward the classroom. Finn is trying everything he can. He's digging his feet into the asphalt and pulling backwards, and when that doesn't work, he's hanging off of Dad's hand with his feet off the ground, getting airlifted to his doom. It would be hilarious if it weren't so heartwrenching.

As soon as Dave has him in the classroom, I squeeze Fred in my arms and the tears come flying. Other moms hover sympathetically nearby, offering encouragement. I laugh-cry-talk with them, and pretty soon they're welling up, too.

I've never, with either of my babies, been drawn to do anything like a parent's group. That always seemed like far too broad a stroke. Parent's group? Mom's group? It felt like it was casting the net way too wide. "Hey, honey, I'm off to people group!" But in the last week and a half, I've changed. If you are the mother or father of a kindergartener, we are bosom buddies, a priori. I don't need to know one more thing. If your child has been in kindergarten for seven days like mine has, we might as well be buried together, you and I. We are that close.

And I have to say that this group of parents seems particularly delightful. I'm starting to get school spirit, frankly. Sacajawea Elementary and all associated with it kick ass as far as I'm concerned. Finn told me excitedly today that the principal, Barry Dorsey, stands on the playground and yells "Laaaaaaaaadeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeez and......" and all the kids scream out "GENTLEMEN!!!!!!" And then...something? Finn didn't feel like telling me anything else, so I don't know what comes next. But just that nugget of information is perfect.

Where are we? Right, Finn's inside. And this little illustration stands for five out of the seven days he's been to school. He's in the Peace Corner. The other kids are patting his back, holding his hand. (I die at the sweetness.) A pretty little girl named Trinity who sits at his desk is telling him, "You don't have to cry EVERY day!" (Dave reported happily that yesterday Trinity began her wifely ministrations with Finn, telling him all about the good things they would get to do that day, even going so far as to reach over and adjust the zipper at the top of his jacket like she was straightening his tie. Finn, all what is this girl doing? -- and ever the smoothie -- kicked her lightly in the foot. Trinity said to Dave, "He kicked me!" but it was clear that she didn't mind and this wouldn't stop her.) (Oh, Trinity. Be safe out there.)

But let me cut to the chase. He's doing better! When I pick him up every day, he does not look remotely like a guy who's been to hell. I ask him about his day in the car on the way home.

I ask:

"What stories did you read this morning?"

and he answers:

"The Napping House. It was something about a Grandma and some animals and a boy."

or he answers:

"A very important story about little kids." "What happens to the kids in the story?" "I don't know."

or he answers:

"STAR WARS. I HATE STAR WARS. I don't like all the fighting." "Who was fighting?" "Nobody. It's Star Wars Alphabet."

or he says:

"Some story about a bear whose name begins with a C."

I think he's making friends? Maybe? I'm not sure. In any case, a lovely thing happened. I was asking him about the kids in class, and it came out that there was a boy he hadn't talked to yet that appealed to him. R.J. is his name. He murmured it fervently to me, hiding his face in my arm. "R.J.!" That's who he wanted to be friends with. I didn't know who R.J. was, but then Dave told me he's a little guy with a limp and a withered hand. And then Finn told me a couple of days ago that he'd become friends with R.J. at lunchtime. R.J. sat with him and point-blank asked him if he wanted to be friends, and Finn said "sure". I yelled the story to Dave as Finn relayed it to me, and when I got to the part where Finn accepts, I fucked up the story (of course) and said that Finn had said yes. Finn set me straight. "No," came the adjustment, "I said SURE."

Now, I have no idea if Finn has spoken to or hung out with R.J. since then. I asked him who he played with at morning recess today, and the answer was "A jump rope." He just ran around the playground by himself, dragging a jump rope. And that's what he was doing when I picked him up later in the day. Just playing by himself, as he always is when I pick him up, dragging a jump rope around. He's not with the other kids, he hasn't fallen into a game with anybody, and I can't see R.J. anywhere, or Ian, who seems to have made some tighter friends. But he doesn't seem distressed about it. He's just playing. It's cool. It's at least cool enough.

He told me this morning -- before his triumphant, not-traumatized entry into the classroom on his own steam (!) -- as we were getting him ready for school, "You know, by morning recess I'm usually fine." And he asked me how long it took me to get used to kindergarten. I have no idea how long it took me to get used to kindergarten, but that's totally beside the point, which was that it was time to begin bullshitting. "Let's see. What day of kindergarten is this for you? Day seven? I think it was...yeah. Right around seven days into it." He was satisfied, and breezily continued getting ready.

Tonight we looked at Vogue briefly before bed, and as I sailed past a page, he asked me to go back. I circled back a few pages, and asked what he was looking for. He said, "I thought I saw somebody who looked like R.J." When we determined that R.J. was not featured in this month's Vogue, we turned off the lights and I sang him to sleep.

Thursday, September 08, 2011

live from the peace corner

It's begun. My oldest, Finn, has entered kindergarten. We dropped him off for day two approximately an hour ago.

"Dropped him off." My, that sounds breezy. Peeled him, struggling, off our legs? Wrenched ourselves from his grip and airlifted ourselves out of the classroom as soon as his teacher, Mr. Norman, swung in to relieve us? Whatever it was, it was fucking difficult.

Let me back up a little. We put in a bid last spring for Finn to go to an alternative school that we fell in love with, but came up goose eggs. On our list of preferences we'd put approximately one zillion schools ahead of the one to which he'd have naturally been assigned, because I happened to go to that particular school in 4th grade when we first moved to Seattle from New York, and it was the worst year of my schooling life. Holy smokes, it was shitty. Abysmal educationally, barely livable socially. And even if it had improved bunches in 30 years (whiiiiich...we'll find out that it hadn't), the sense memory of walking into that place every morning would have made me queasy.

But we didn't get assigned to any of those zillion schools, and Finn was headed to Olympic Hills. Aaa! We were ready to make the best of it. We were going to embrace the "local is good" paradigm, get involved, shine it up as much as we could. But aaa!

And then three weeks before school was set to start, we got a letter from the principal of Olympic Hills saying that since they didn't meet testing standards, they were legally obligated to give us the option to send our child to another school that did. We were given a list of three alternatives, and on that list was our #2 choice.

Sacajawea! Sweet little Sacajawea Elementary. Seattle public schools are going to hell in a handcart, but Sacajawea is one of the few in town that keeps getting better and better. "A gem in the rubble", said the Seattle Times. A gem! In the rubble, sure, but a gem! We'll take it.

I took Finn to check it out a few days before school began. They'd posted class lists on the door, so we'd find out which kindergarten teacher he'd be assigned. Kit Norman, Room 3. I imagined Kit Norman to be a sweet old lady, but then a fifth-grader and his mom rolled up to the door and we fell into conversation. The boy, Ari, said to Finn, "You got Mr. Norman! He's the best."

Finn got a letter in the mail that day from Mr. Norman, welcoming him to school, and telling him about all the cool stuff they were going to do that year. They'd learn to read and write, they'd learn about animals and dinosaurs and insects, they'd play math games, they'd learn about Asia, and collect pennies to help their communities, and go roller-skating and go to the theater, and on and on. I didn't even notice the letter in the pile of mail until late that evening, after everyone had gone to bed. I read it and my heart swelled. The good vibes of Mr. Norman practically flew off the page. There was also a little form for Finn to fill out - "All About Me" - which we worked on together the next day. Now Mr. Norman knows that Finn likes gardening and watering plants and he wants to learn about all sorts of different trees. Big leaf maples and Norway maples, specifically, if we could be so bold. Mr. Norman knows that Finn likes baking buttermilk biscuits and blueberry muffins, and that he likes to play both hide and seek and "running hide and seek". ("It's easy to make up a new game," explains Finn. "You just take one game, like running, and put it together with another game." Polo Monopoly! Synchronized Twister! Pin the Tail on Kevin Bacon! He's right, this is easy.)

Finn wanted to wear two different plaid shirts and a pair of plaid shorts to orientation. He wouldn't budge on the shirts, but I convinced him to go slightly subtler on the pants. A neutral windowpane plaid, at least. And he had me draw two hearts for Mr. Norman - a large one containing a smaller, smiling one. And then he drew an arm and a hand coming off the smaller heart, offering a spiky flower. Then he went into the garden and picked some clover for Mr. Norman, which we wrapped in a small jewelry box.

Finn's never been to school. No, wait, not true. He went to preschool for three days. There are a few reasons behind this, but this post is already fixing to be ten miles long. Things conspired against, let's just say. So kindergarten, which is already momentous for all parents and kids, is a little closer to jumping out of an airplane than it is to jumping off a high dive for Finn.

Orientation went okay, as well as can be expected. It's just an hour, and you're with your mom and dad, so how bad can it be? Finn was a little nervous and weirded-out, but he handled it, and eventually he befriended a little boy out on the playground, a great little guy named Ian. (Before then, he just wasn't quite connecting with any of the kids out there, and so he kept pasting a cheerful smile on his face and coming back to play with steady old Fred, who's Sancho Panza to Finn's Don Quixote. Meanwhile, I was thankful I'd brought enormous sunglasses, because seeing him out there tentatively approaching kids and then thinking better of it - and then standing there awkwardly, and then playing with forced wildness with Fred - made tears shoot to my eyes over and over.)

Mr. Norman wasn't what I expected. I'd pictured a gentle bear, some kind of cuddly nerd all grown up. Unsurprisingly, that wasn't the actuality. Mr. Norman is more the golden-boy type, like a camp counselor or tennis star or student body president. He's blond and grinning and brisk. And he's great. He announced to us all that he adores his job, he could never imagine himself doing anything else, and that he wants to give kids the best possible first impression of school, to make it as fun as possible. It's rare to get a male kindergarten teacher, and even rarer to get one like Mr. Norman, who really does give off terrific light.

When the first day came, we walked Finn into the class and saw that - miracle of miracles - his assigned seat was right next to Ian, his new friend. (I'll tell you right now that I am giving credit for this miracle to my dear departed dad and father-in-law. As soon as I saw their names next to each other at their little desk, I knew that the grandpas had a hand in this. It's just like them. And furthermore, I think there was some heavenly string-pulling for Finn to end up at Sacajawea, since when I went down to public school headquarters to enroll him there, they were puzzled in the extreme. Olympic Hills was not, in fact, on their list of schools that was required to give kids the chance to opt out. But since I'd shown up, they'd see what they could do. Strangeness.) (I love fairy tales and I'll love them until the end. I don't like to embrace a prosaic explanation if I can find one that gives me goose bumps.)

The wall was lined with smiling parents, and the kids all seemed bubbly and ready to go. As the time came for us to leave, Finn got more and more nervous and then began to cry. I signaled for Dave to take over, and then grabbed Fred (who was ready to enter kindergarten that very day, judging by his enthusiasm for the space) and ran. I made it out the door to the playground and out of view of the classroom window before I burst into tears. Holy fuck. I laughed while I cried, because there I was, the living cliche, the brand-new kindergarten mom beside herself. Dave followed in a couple of minutes, and reported that Mr. Norman had swooped in to comfort Finn and to show him to the "Peace Corner", a groovy little spot in the classroom with a tiny couch and books and a big peace sign hanging on the wall above a basket of stuffed animals. Ian had asked, "Is he crying?" and Mr. Norman responded sweetly, "Yeah, sure he is. It's his first time going to school, so it's a big thing for him."

We went upstairs to the welcome brunch for new parents, but I didn't see one single Bloody Mary available anywhere, so that was a wash.

Oh, man. This will have to be a two-parter. You might think, "Hey, Tina. We're fine with just this one part. You're really more his mom than any of us are, let's remember." But you'll have to bear with me. There's more to report. The rest of the first day, the overwhelming kindness of the other parents, and Mama Crying In the Playground, Round Two. I promise I won't go on and on about this forever. It's just that the first time you jump out of an airplane, your diary entry that night is a little longer than normal.

Okay, then. Off to pick him up from day two. Blow on the dice with me for day three, readers.

P.S. I thought of a solution for this whole thing. I think all of us Rowleys should become huge stoners starting right now. We'll just all smoke weed right before school. Finn, too. All of us. Fred, everybody. We'll just get wicked stoned first thing in the morning. (A Great Toking Sound.) "Heeeeey, Sacajawea. What's the word?" Roll into school, drop him off, roll out of there, no problem. Learning will be fun! Shh, I think this is a no-fail plan.